Henrik Ibsen Portrays Hedda Gabbler as a Doomed Seeker of Beauty

Gabbler dies still dedicated to the dogma that brio should just be lived severed from the experience of either personal pain.

Ibsen depicts Gabbler as drawn to choosing death over life due to her admit inner hollowness. She is radically uncertain of her own identity. Throughout the drama's five acts, Gabbler's personality appears most fixed in those moments when she is consciously striving to manipulate others. Gabbler is shown to be careless and take down cruel. Self-centered and unfulfilled, she ruthlessly pursues her own aims, seeking lulu to a higher place all. Yet Ibsen as a superb dramatist reveals that she worships only the surface of beauty. Consequently, she becomes mired in the superficial. Beguiling on the outside, Gabbler at bottom herself is a disaster waiting to explode.

It might be critically argued that in Hedda Gabbler, Ibsen dramatically presents the "feminine paradox" as constructed by late 19th century social strictures. Although women are allegedly encouraged to pursue beauty at any cost, Ibsen renders Gabbler's tragedy as inscribed within her adherence to the cult of beauty over life itself. Unable to accept the constrainsts of submission expect of her, she turns to manipulating those around her, including her husband, George Tesman. Yet when the failure of her plotting suggests that she has a chance of be blackmailed by Brack, she balks.

She begins to realize that it will become public intimacy how she provoked Eilert's suicide by lending

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Ibsen intentionally dramatizes Gabbler's encipher of beauty as autonomously driven. Her behavior appears to be determined alone by her own wishes, matched by an arrogant indifference for the devotion of the feelings of others.

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