Ms. Wilkerson
Ap Lit 6th
5 October 2011
Chapters 17-21
In bloody shame Shelleys Frankenstein, on rogue one hundred twenty dollar bill one, Chapter 17, in the passage beginning with Cursed, cursed, creator, and ending on page one hundred twenty one with, this insupportable misery, bloody shame Shelley uses literary devices to create the different tones of the passage, resembling enraged, wrathful, savage, flinging, insanity, and revenge, in the creature as he finally accepts/declares himself as a monster, who will hear revenge on those who have oppressed him into insupportable misery.
passim the passage Shelley uses frequent punctuation, making the passage go faster, build up suspense and importance, as the creature accepts himself as the monster. At the beginning of the passage Shelley uses repeat and alliteration, when the creature yells Cursed, cursed, creator! exhibit how enraged the creature is with his creator and his existence. The creature is asking rhetorical questions of his existence, questioning out of anger ( non human curiosity). He is not loved by his creator, who has over stepped the boundaries of man and played God, and wonders wherefore did I exist?
The tone of the creature becomes voracious and wild.
He has become savage, seeking out the woods as a place to cause havoc, venting his anguish in trepid howlingsâ¦like a wild beast, destroying everything in his pathway with a stag like swiftness, as if, destruction was second constitution to him. The passage shifts in tone from voracious and wild to cynical and mocking. The creature has become a cynic to everything around him, accept that the metaphorical cold stars are shining just to mock him; trees wave just to patronize him, as well as, the lovable voice [s] of birds, whom breaks the silence and peace that has been wanted. The tone so shifts back to voracious and wild, as the creature restates his love for destruction. This repetition of destruction shows that the creature is no...If you want to get a wide essay, order it on our website: Orderessay
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