LONE STAR :Social Cinema

Blacks are only commodious in Otis Payne's bar, and they are often subjected to racism and prejudice, non to mention a fair amount of violence and convolute from Sheriffs like the dead Wade. Mexicans are also outside the big businessman elect(ip), as is evidence by a scene in the local high school. We see a Mexican on the job(p) class teacher, Pilar Cruz, complain about the interpretation of the Alamo in school textbooks. Of course, the white military group elite believes their "white" meter reading of history should be propagated instead of a more pragmatic presentation of the actual events.

This film is all about companionable class and social structure and how those who are stereotyped and comprehend to take hold a lower status in association have sharp borders drawn between them and the power elite who control the social environment. In an excellent scene, Sam travels to a Mexican junk-yard where he converses with the owner. The owner draws a line in the sand and says to Sam, "The bird flying South, you think he sees this line? Do you think an animal changes its mind half-way crosswise it? wherefore should a man?" Sam refuses to accept the artificial borders or divisions that separate individuals based on stereotyping and ethnicity. Sam is a leader because he views all people as inherently creditable regardless of color, income or social status. Sam, himself, engenders at odds with the bureaucratism because he refuses to accept the laissez-faire former way of doing things in Frontera. He intends to get to

the dawn of the rumor concerning his father, and he is able to build a merger among whites, blacks and Mexicans because he is respected for being h whizst and without prejudice.

The berth of Mercedes' lineament is to show us how people are typically not all neat or all bad, but a mixture of the two and that ethnicity has little to do with which quality they shew a majority of the time. This is pointed out through another move out relationship in the film, that of Otis Payne and his son, Del, a military officer. Del is disfavour against his father because he feels he was not a good father to him when he was growing up.

, However, in a poignant scene, instead of justifying his parenting behavior, Otis explains to Del, "It's not like there's a line between the good people and the bad. It is not like you're one or the other." However, there are sharp lines drawn in Frontera between different classes and ethnicities, but they are artificially constructed (i.e., man-made) distinctions.

lone(prenominal) Star is also good for presentation us that the power elite is often made up of minorities who have become more accepted by the status-quo because they are wealthy and have become useful to the community. One such character is Mercedes Cruz, Pilar's mother. Mercedes is a respected business woman in the community despite her being Mexican. Unlike the negative portrayal of Mexicans who sneak across the border, she is considered a "good" Mexican even though we catch out out she came to America in the same way. Mercedes' money and prestige make her "Spanish" not Mexican. Her daughter Pilar wishes to duration Sam, but her mother is opposed to the match. At one point Pilar says to Sam, "All my mother does is work. That's how you get to be Spanish." However, showing how racism and prejudice know no ethnic boundaries, Mercedes is one of the most overt racist guilty of stereotyping in the film. She routinely calls the border patrol to report illegal immigrants and she often c
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