Eero Aarnio the globe chair

The popularity of plastics in Finnish article of furniture aim lasted from the mid sixties to the mid 1970s and Eero Aarnio (1932-) was at the forefront of the trend. His premier examples were the rascally shape of his fiberglass Pallo ( musket ball) chair and his Pastille chair, an indoor/outdoor, daddy take on the rocking chair, which won an American Industrial material body award in 1968.

Aarnio was born in Helsinki and canvas at the Institute of Industrial Arts there, graduating in 1957. In the late fifties he worked with the Finnish designer Ilmari Tapiovaara, and in 1960 he started workings for the Asko Company. He established his own design office in 1962 as an industrial and interior designer.

His ballock chair was introduced to the public at the Cologne Furniture plumb in 1966 and won the immediate acclaim of the design urge despite the fact that it was expensive and produced on a special(a) scale. Until that point, much of the draw of Scandinavian design had been its beauty and politeness in spite of, and perhaps because of, its mass production. The modern pattern that the Globe chair was creating, however, led Asko to establish a restrict partnership with Aarnio in which he could design experimental furniture using new materials and modes of production and, in doing so, benefit and fatten their corporate image.



This new popularity and the professional relationship that grew out of it allowed Aarnio to energy the boundaries of design in ways that he never would keep back been able to in his earlier years as an Asko employee.

Although the Globe chair was introduced as a limited item, Aarnio started out working with plastics to the same end that earlier Finnish designers, like Tapiovaara, worked with wood. He penuryed to create ergonomic designs using state-of-the-art materials that were modern...

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