“azdak Is Many-sided Character But The Main Focus Of His Interest Is On Social Justice”. Comment.

Essay onAzdak is A Many-sided Char dresser but the main(prenominal) Focus of His Interest is on Social JusticeAzdak , the judge in The Caucasian Circle (1944 ) is one of Brecht s most fascinating characters . A complex amalgam of contrasting traits he is at versatile quantify a shrewd and oratorical crowd influencer , a cringing coward , a corrupt bribe-taker as also a comic book Robin Hood . He is delivery humanness like in his truth and Solomon like in his knowledge . He is intractable in his repeated digression from the travel guidebook of logical law to achieve social justice and is a champion of the poorHis interaction with Grusha the pastoral wench and the beauty of his lush interfaces with the other characters of the play offset the thinness of Brecht s plot and manipulate this simply told tale of inequality and social justice a touching masterpiece . The dramatist presents Grusha and Azdak as two-dimensional kin characters living through the violence and turbulence of revolution and counter-revolution and that being rewarded with bliss and harmony for their goodness towards the less good . While Grusha the farm hand is gentle , spontaneous , descriptor and predictable in her reactions to turmoil cruelty and dis , the mantle of unconventional caprice falls upon Azdak , the nameless clerk . He is in many ways the jester , the rogue and moreover the sense of right and wrong keeper of the times . Besides , it is in his lot to get under ones skin trouble , stumble his way into positions of influence , misuse his choppy and unearned authority , behave with app atomic number 18nt irresponsibility and yet exit hallowed and unscathedAzdak is a developed individual , a man of immense intelligence and eccentric wit , poles by from Grusha who unevenly evolves from a lowly farm worker to a woman of wit , dignity and steely integrity . His image in the play is delineated through ecstasy singularly bizarre episodes in the concluding segment of the play , preferably in its strange finale .

Five out of these ten incidents deal with the various trials he handles and display his peculiar grunge of social justiceBrecht introduces Azdak very late in the play . He comes in only in Scene 4 (Brecht , 1944 ) emerge from the shadows of anonymity to shelter the Grand Duke , who is in terrified course after the deposition of his regime . His humanism and compassion for the unfortunate erstwhile head of state is not one second gear lesser than Grusha s distress for Michael , the deserted son of the beheaded GovernorThis act of genuine kindness is followed by his surrender to the iron-shirts , the soldiers who shape the events of the times . His admission of guilt in shielding a man on the run and plea for harsh retribution are acts of contrary self-flagellation . Truth becomes indistinct and Brecht makes it difficult to assess whether the scribe is indeed a man of truth and justice or a manipulative rascal . Indeed his handling of this menstruum of events which begins with the loutish soldiers freeing Azdak to the following sequence where he upstages the innovative dictator , the Fat...If you want to get a full essay, lay it on our website: Orderessay

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