In Leo Tolstoys Anna Karenina, the characters of Levin and Anna are devoured by their doubts and their softness to derive tenderheartedness from their lives. Their means of dealing with this experiential doubt differ, however. Where Anna sees her sprightliness as a novel, a unified series of events that has con changeation and in which she is in the hands of fate, Levin grapples with his inability to find any form at all to the dis dictateed, and obviously meaningless nature of his purport which he nevertheless lives in a determined and resolute fashion. Tolstoy implies by Levin, that though we would want to attribute the qualities we ascribe to gubbins to our own lives, because they are consolatory and fanciful, they are inappropriate and misleading. charm the outlooks of these two characters differ, they resemble separately other in their critical truthfulness. As the protagonists of the book, their approaches in dealing with their fate are rate in their final inside monologues, the contrasting of which is the intent of this essay. Tolstoy illustrates, through the destructive nature of Annas act, and the lightness experienced by Levin at his epiphany, the danger of ascribing poetic greatness to ones own life-time.
Conceiving of ones own life, as one looks at a narrative, fated by omens and foreign forces, is not only self-loving and selfish, but untrue; whereas get control of ones life to do good is noble and meaningful. Annas (and well young peoples) ideology of life is that it is only truly lived when it is well-nigh intense. Tolstoy disagrees with this and confronts it with the idea that, in the talking to of Gary Morson, life is lived in the radiosensitive and ordinary moments. It is both humdrum and undramatic (Morson p. 73) at the alike(p) time. This is outdoors from the... If you want to get a full essay, order it on our website: Orderessay
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